This charming short put the "art" in artificial intelligence.
What do you get when you blend the strength of an AI-powered machine that creates images, an old woman who is the age of 98 known as Lillian and Harry Potter? The result is "HAIRYPOUTER A short-form film created by the director Chris Carboni. The film is an amalgamation of fun and entertaining AI-generated imagery and also a comment on the classic work written by a hilarious nonagenarian.
"Lillian is my maternal grandmother"" Chris says. Chris. "She and I have always enjoyed a strong connection as I've recorded her opinions for the last 10-years."
When AI generators were beginning to rule the web around mid-2022, Chris saw the stars meet to create a new venture which could benefit from his years of audio and help him explore the connections to this latest technology. "I was a bit skeptical and had many doubts about these devices this is why I was looking for an opportunity to learn further," explains Chris. "At this moment I was engaged in an exchange with my mother-in-law who had just finished reading Harry Potter. Harry Potter series, which I had purchased for her birthday. The book was given to her as a present."
The film was put together quickly because of the speed of a team composed of "my grandmother and my wife and I as well as our sound engineer and composer along with the rest of the team" and the rest was (futuristic) the story of. The potential of AI continue to evolve at a rapid pace. I spoke with Chris Carboni to discuss everything that is related to artistic and AI.
The video's visuals are stunning. What were the tools you used in order to create the effect?
Chris Chris: We attempted MidJourney when it was in its first version. The procedure began with recording Lillian's voice without editing, and then watching what it came up with using only the spoken statements from the conversation. We were awestruck by the style that it developed after few or two sessions of creating new images. Therefore, I wrote down the hallmarks of the direction of art that was or was inspired by the photo's design.
The first picture that we got was Ron who was wafting his hair. He was stunning. It was almost like he had his shoulders-out and the person evidently did not put on any kind of outfit. It was like she looked to be a goddess of the ocean. Then, when we saw images in which Harry and Ron in a relationship they seemed to be embracing one with each other. We thought to ourselves, "Oh, this is amazing."
It was up to the AI to come up with intriguing ideas at the time we saw one we loved we pushed it along this direction, which meant it could be constantly enjoyable and easy to understand.
Was it similar to applying AI to this actual-life tale?
Chris: At the time I made this film, I was experiencing some fear about AI [artificial IntelligenceAI[artificial intelligence]. It was a pleasure to use AI in this film. I believe that this is a great use-case for the project as using AI was vital to the story.
It was fun, interesting and unforgettable. It was a project about the delightful, but awkward relationship between AI and human beings. This wasn't an instance where we chose to not spend an amount of money on illustration and instead use artificial intelligence. The tale was one that made application of artificial Intelligence formed the basis of the narrative.
Are you confident about AI being a part of the creative process?
Chris Chris It's definitely something appealing to it, but it's also made more difficult because the generators are so widespread. The possibilities of generators is being discovered and then extended to numerous uses. This means that the subject is becoming more complex than what I imagine it was in relation to my own understanding and views on the topic.
Everyone who works in the field of creativity should be aware of the implications of this change to their profession and be prepared to accept the fact that the world is likely be changing. As a result, it is possible to create extraordinary and creative things. Also, the automatedization of certain of the art we love to create. This makes me unhappy, if I'm sincere. It's a concern that art is going to be diminished, and made even more expensive than it is.
Do you think that this technology can be utilized to aid you in the future?
Chris Chris: It's true that I'm a big fan of using AI to improve my email as well as to function like a personal assistant who is capable of answering inquiries as well as providing explanations of complex concepts and managing repetitive chores. For creative tasks though, I'm not sure. This is definitely not my goal to apply the strategy for replacing the human beings in my teams. Results aren't quite as impressive.
A large part of the work we do so great stems by working with coworkers. From beginning to finish using AI relies on inputs created by one's brain. Some cases may be okay But generally speaking the productions are assisted by a team of specialists who work together with each adding their expertise and creative ideas to the table.
The most effective ideas I've come up with are to generate preliminary concepts as well as kick off the process of creating. It could be used to get funding for pursuing an idea, or to showcase the first concept to create an idea on the drawing board. But, when it comes to animators, it's necessary for plenty in control of the specifics of a scene, both in terms of production and aesthetics. This level of control is likely to be in the near future although it's definitely not far away.
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