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In this interview video animator Eva Munich shares her journey to re-orienting her creative path and discovering her unique way of being the 3D character maker. Eva recounts her travels to London and the experiences she had at the Pictoplasma conference, and how she landed her first position as director for Greenhouse Animation. In this interview, she talks about her X-Files project that was developed by her to promote Lemonade Insurance, and explains how she runs the animation studio as well as how she worked alongside sound engineer Phil Brookes.
Eva offers tips to visual artists seeking an entirely new direction for their work, for example, picking the appropriate technique for your vision and also taking pride in their own style without focusing on your "weirdness" as normal.
HTML0 You are seeking new opportunities and a new direction to your profession.
Before I moved in London in 2017 I was in a tiny town in Germany working in the field of After Effects animator. There weren't many hurdles with my creativity, my abilities slowed down fast, and I was very dissatisfied.
The transition to London and getting to know everyone from the amazing animation community there gave me a massive positivity boost to my motivation. I was thinking "Damn that! Now I'm one of the top young people . I've better get my gear going."
After my experience at the Pictoplasma exhibit, I took the decision to enter the organization of creative character designers. It became clear that my characters work best created in 3D But I'm still learning and it's difficult, yet satisfying!
My work has been noticed through Greenhouse Animation, which is now my director.
The X-Files project and the mysteries of socks disappearing
One of my first customer designs I made using my brand new-found design style is my Covered by Lemonade clip.
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Lemonade Insurance approached me to make a piece to coincide to the ongoing Instagram collaborative effort between artists. The role of the company is to act as an insurance company to content. The idea of adorable household items at risk immediately came to mind. This is how the X-Files idea was born.
It was winter and I was having a break from watching the x-files. So involving an alien abduction of the classic kind seemed to be logical. However, all of the characters had to be in the same spot to be at the same place to ensure that the animation loop can be stopped so they could not be caught. Then I got an idea of having the washing machine running and a pink sock that was flitting toward the UFO.
While creating an UFO while making the UFO's legs small I was struck by the manner in which things can go down. The UFO has lost its socks and is presently retrieving it!
I find that creating an engaging story is best when you combine different elements which may appear to be incompatible at first. Unplanned events of seeing an event happen, and then giving non-animated objects a personality by putting silly faces on them can be fun for me!
The workflow for animation
My process always begins with sketching the characters and sketching out the plot. I created this animated in order to advertise Lemonade in order to convey the idea and to aid in timing. As the next stage, I can access Cinema 4D and model all my characters. It is also the time to test out materials and make fashion frames.
Once the animation within Cinema 4D is done, I move it over to After Effects for final touches as well as composing. The light beam in pink, for instance, is possible with After Effects.
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about the sound effects in addition to the collaboration together along in collaboration with Phill Brookes
This was the first interaction I've worked with an sound professional Philip Brookes and he accomplished a fantastic job! The quality of his work takes this video to a completely higher level, and brings the entire thing together flawlessly! It was an incredible project to finish and I'm hoping that I can do numerous more videos like this one!
We've had a conversation with Phil about the technique that he employs to create sound effects to be utilized in the X-Files project. Listen to the conversation with Phil Brookes.
Presently, I'm discovering how to create characters in a new way and also creating stunning texture using Cinema 4D and Redshift. I'm attempting to mix 2D and 3D animation. I'm looking forward to see where my path into character design takes for me in the near future!
guidelines for musicians making career transitions
A few tips I'd like to offer to anyone who wants to switch directions:
- Choose the method that you love most, then you can learn the technique! Motion design may seem like you have to learn everything there is to learn. It's just not feasible.
- You should take your strangeness seriously and never reduce your individuality. Your distinctiveness is unique. Your style, your voice and style are distinctive.
- Consider your ideas. Whatever it is that's taking place in your head write it down and make notes about your thought!
Animator + Illustrator
Eva Munnich
Eva Munnich, an animator and illustrator, hails from London. The artist is visually oriented that creates cute characters using 3D and 2D. The film academy she was a part of was an art school in Germany and she also worked in various animation projects. After she was aware of no creative challenge, Eva actively sought new ways to broaden her options. Three years ago, she travelled to London to discover its striving and dynamic arts scene. she was inspired to enter the world of illustration as well as character design.
Go to Instagram to view other 3D animated photos of the characters she has created. Check out her work in the future. There is a way to view an extensive selection of her work at her site.
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